O so😪😀/_🥰mm😶a luce

The line!/😑#s start wi😋🤔=t;🤪/😀h “O Somma Luce” which😪😑😀🤕 i😑s😀🤐😴( the ti😌.😘t😃😐le of t😍🤑he 😆🤒)film🤨😇 a😋 *😷nd al😉so the 😁?🙄67th line of t😍+he 33rd 🤢🤢🤩ca@`🤐/nto in 😶🤥“Paradiso” of Da😴=😍🤔nte’s🙄 “😆.D-🤫😇!ivin🙂🤣,e🤣; ,@😅Com😍🙂edy” to@🙂😃 t🤒[he end
😐of “Paradi😑🤫!so”. The film is %😍😃comp #😛lete😆@d with musi🤪`🤐😔c and- line🙃😇😄😗s instead😄😂 of? 😴e[mo🤪😏🤕tions and narratio:😊🤑😊😘n😅s.😊😴% 😁%😘_ 🤥$This is a recen]😂😀😊😉t attempt to combi😬🤩ne🤕 film with literature.　　😂😇😆🤨😅The fil*?😬m begins with a b🤢🙄[l@😋😒ack screen a😆😒n😒d the mu*😗sic of E😋😆;dg😄ard Va%😶rese🤫@)_. The BGM is “Deserts)”😘=🤕 that wa😉s re
=😶!cor😀 !ded in 1954$🤩🤨🤢.
😔😄 After some m🤩😬oments 😙😴of😚😘 🥰darkne🤨]ss, t+^he@$🤫 music ends and a middle-)😅aged ma[😙*n_) si🤔 :ts(` on a hill, reciti😚+\n.😐g something😌#😉. He i😒😅🤪🤐s Gior😔`=gio (😃😂😜😋Passerone,  🤐an I$🤢😘tali+an l@🤣🤪iterature professor,😬😀  and he is reading o🤑ut of 😂$🤗the l
😐a^😇 st😚😃 par:😅t of 😝🥰 ‘Para[🙂+diso’)🤩😋😗 of Dante’s Divine🥰=😛😶 =😐🤨😃C
😅😂omedy. Jean-Mari😙e😊:🤤 Straub express\😃😃😛ed how 😷😙🤭😂h😊😂🤩e thinks 😄of Dante through a subtl🙂😇e acce🤥*nt and%%🤣🤥 di😁😇🤨]alect. 🙄😶🙄The? director w😴/🤪ho ha😆🤥😘d encod 🤢ed many 🤕*)great🤐 artis@😇😏ts an+🥰^🤕d m 🙄!usicians includ🤕 😆ing Bach, comp🤭😏lete t]😷🤪h😙=😁[e com😌😶bination _😗of Dan$🤪🤫t[`😔e and Var?(🤩ese, whi;:ch could see😍😒🤫m strange.?!😴 (Lim #🤫Kyung Yong)